A bankrupt film location manager working on a heist movie stumbles across a set so ideal that he persuades his film crew buddies to do the crime for real, but their Machiavellian director rumbles the gang and blackmails them into staging ever-larger thefts.
Feature
Heist / Caper / Contemporary

Heist movies and movie-movies are both proven winners. Devlin’s Cut combines the two for maximum hijinks, while bringing both genres up to date with contemporary tech.
Comps: Get Shorty meets Oceans Eleven, with a side order of Once Upon a Time in Hollywood.
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